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The Comedy News For 09/06/10

Comedian Corner [+]

Introducing Comics On The Spot Saturday Comedy Workshop

Most every Saturday at 2:00pm I’ve been heading to the Spot Café in Culver City. The Spot Café’s Saturday “open mic,” is different than any other open mic I’ve ever attended. It’s run by L.G. Ross and Vicky Nissen who also created Comics on the Spot, a very good Monday show at the Wharehouse in Marina Del Rey. The duo use the Spot Café every Saturday, which also has a Wednesday open mic as an audition and comedy workshop space. Comics get eight minutes to do their act followed by four minutes of feedback from the other comics there on that day. Basically, it’s the group dynamics created by your average comedy class for free. L.G. and Vicky do ask that you purchase something for participating, but they also never hover over someone who happens to be broke on that particular day.

Why else is this such a unique format for an open mic? Well, with comics giving feedback, you’re guaranteed to have an attentive audience. That’s half the battle with open mics anyway. There’s usually at least twenty people in the room, many of whom stay until the last comic. Often there’s also usually a few civilians in the room as well. More importantly, you can learn as much by helping the other comics tweak their sets as you can by practicing yours. And because it’s all over at 5:00pm, you can even get in another set during the evening. That’s why, in my humble opinion, the 2:00pm Workshop at the Spot Cafe is one of the top five "open mics" I get to attend each week.

Posted September 4, 2010 by Shayne Michael under Open Mics for All | No Comments | Bookmark

A Little Bit On Professionalism

You will have good shows and bad shows as a comic; they are both inevitable. It’s more important to deal with bad nights in a professional manner than it is to avoid them all together. That keeps bad shows from becoming worse. Professional behavior in comedy is often much more important than being funny. It’s also something you have complete control over. Tonight at the Eye-Candy, here were some things that happened.

  1. One comic talked through every set but his own.
  2. After his set he continued talking over the next comic.
  3. One comic later, he left half way through the guy’s set.
  4. One comic missed his spot because he wasn’t in the room for anyone, so he never heard his name called. He was put on second to last. There was one performer after him. He didn’t stay for that performer either.
  5. Another comic talked back to three performers.
  6. That same comic demanded an earlier spot on the list.

What do all these behaviors have in common?

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Posted September 3, 2010 by Shayne Michael under open mics for All | No Comments | Bookmark

Rare Open Mic At The Icehouse Annex

I learned this yesterday from a Bobby Oliver Facebook post. It has also been confirmed through several other sources. Tonight, on 09/02/2010, at 8:00pm there will be a rare open mic at the Ice House Annex. There will be a one drink minimum to perform. Signups start at 7:30. Time will be divided the time by how many comics show up.  Open mics at the Icehouse are so rare that this is the first one I've ever seen posted. Nornally, the only way you get on stage at the Icehouse is through Dave McNary's Saturday Auditions, Bobbie Oliver's Stand-up Academy or by sending in a professional twenty minute tape to the current booker.

Posted September 2, 2010 by Shayne Michael under open mics for All | No Comments | Bookmark

World’s Funniest Marketer Contest In New York

If you’re a New York Based stand-up comic who is working in advertising, design, marketing or PR. Or, if you always thought you were funny a contest has just been announced in New York City. Drinking With Adholes and The World Stand-up Comedy Club will sponsor the contest with the grand prize being your a live performance at the world famous Fryer’s Club. The contest, dubbed New York’s Funniest Marketer Contest, will also award one lucky winner five minutes at the Broadway Comedy Club and a one-on-one training session with the club booker Aaron Haber. You will also be referred to as the World’s Funniest Marketer 2010 for the rest of your life. Wow, the best title I ever earned was the fourth funniest person in the Redlands 2006. While this contest may not seem like a big deal, a comedy contest with no entry fee is a rare opportunity. And I didn't see any entry fee when I looked at the webpage. So, if you think you have what it takes, email your name, photo and short bio to awesomecontest@theworldnyc.com.

Posted September 1, 2010 by Shayne Michael under Comedy Contest for All | No Comments | Bookmark

The Response To Stand-Up Comedy Is Not Pretty

This video, called how to get booked at a comedy club, is the creation of Becky Reed. She is half of the team that created the Joke Joint in Bloomington. The video meant as a response to the video Stand-Up Comedy Is Not Pretty. While I realize many comics have some bad habits, the way this video portrays up-and-coming comics is insulting. Seriously how many comics do you know who have used the phrase, "You will not book me because you are jealous of how funny I am?" While the majority of what happens in Stand-Up Comedy Is Not Pretty happens daily; the comic portrayed in this video would be an outcast even among other stand-up comics.

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Posted August 31, 2010 by Shayne Michael under Comedy Bookers for All | No Comments | Bookmark

The Cost Of Getting Up Every Chance You Can

I used to know a great comic who did more than 365 open mics a year. Great guy, but he burned out very quickly. I wish I performed more. Staying home tonight was harder than going out to perform. But the truth is I had nothing to work on. I had no goals. And I hadn’t expanded the new material I’m working on. I hadn’t tightened the part I had already written. And without a real show to build a fan base, I didn’t want to practice material I already know works. There’s a point where a comic gets out so much, the constant drives and cost of $5 drinks starts to become self-defeating.

I write a lot. But even I can’t generate five new minutes a day. I just don’t have that kind of time. Besides when you’re at the open mic phase of material development, sometimes it helps to step back from new material for just a few days. Fresh eyes tend to find new directions quicker than tired ones. Don’t get me wrong, the comics that get out the most are almost always better than the comics who don’t. But there is also a plateau where the constant driving and hanging out starts to prevent improvement and self-discovery. So far I did over thirty shows in August. Two days off to regroup isn’t an unreasonable use of my time.

Posted August 30, 2010 by Shayne Michael under Open Mics for All | No Comments | Bookmark

Why Serious Comics Need Their Own Domain

MySpace is so dead now, they're copying Facebook’s layout to try to win back their traffic. Good luck, MySpace, that traffic is gone. Artist who relied to heavily on MySpace are now in a forgotten place in time. Facebook won over people with a simpler layout. They also generated less spam. However, as fake profiles grow this will change. There’s a deeper problem with all social networking sites. That problem exists within MySpace, Facebook, Friendster and Twitter. None of these sites...

This news story is available only to registered members.

Posted August 29, 2010 by Shayne Michael under Promotions for Members | No Comments | Bookmark

What It Means To Pay Your Dues

I can’t count the number of comics who are complaining about the question, “Well, are you getting paid?” Robert Kiosoki, author of the best-selling book, Rich Dad, Poor Dad, is an advocate of working to learn instead of working to earn. That’s why he joined the military, he wanted to learn leadership. That’s why he dropped high paying jobs for lower paying ones, he wanted to learn sales. That’s why comics do open mics for free and often even pay to go up. We'll even pay to practice dealing with being heckled. That's like someone paying their boss to teach them to endure a really bad day. Unfortunately, bills don’t always make the strategy practical for very long. I know many comics who have built a great reputation as a professional comic, then some emergency pulled them away from their dreams. After a six month absence, they must start over again from scratch.

Playing open mics for no money is simply part of paying your dues. It’s where most comics education begins.

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Posted August 29, 2010 by Shayne Michael under Patience for All | No Comments | Bookmark

Sometimes It’s Not That You Talked About Religion

I had a discussion with a patron at Sipology yesterday about risky comedy. Sipology has a few rules. You can talk about anything. But it has to be clean, you can’t talk about religion and you can’t talk about God. That keeps most of the comics away. I don’t care about that rule. Bill Cosby wouldn’t care either. But a lot of open mic comics are livid when they’re handed that many rules. Give them one rule and they’re usually okay with it. Give them two and they’ll start to whine. Give them three and most will shout the praises of the First Amendment and walk out of the room. The discussion I had with the Sipology patron centered on the fact that most comics who talk about religion don’t have any punchlines in the material. Very rarely is it the controversial nature of the material that makes it fall flat. They just talk about something they assume is self-evidently funny because it's controversial. Well, the humor isn’t always self evident.

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Posted August 28, 2010 by Shayne Michael under Controversial Material for All | No Comments | Bookmark

Is This Microphone On: The Audience Perspective

I ran into an article this morning on Chortle, a UK comedy website. The article is about comics who blame failed material on the audience, from an audience member’s perspective. From that perspective lines like:

  • What a dead audience
  • They weren’t warmed up.
  • Are you there?
  • Do you speak English at all?

Are put downs. The most keen observation of the article is that blaming the audience doesn’t solve the problem. The audience is never wrong. If the joke isn’t funny, they won’t laugh. This is true, but only to a point. I have twenty minutes of newer material that works half the time. I have twenty year old material that works 95 percent of the time. When the old material doesn’t work, I’m willing to blame the audience.

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Posted August 27, 2010 by Shayne Michael under Performing for All | No Comments | Bookmark

Upcoming Stand-Up Comedy Seminars

Recent Articles For Comedians [+]

New Article: What Makes an Open Mic Comedian Compelling

On any given Tuesday night, I might watch forty to eighty comedians spread over three different shows. Sometimes those comics are performing jokes I read over the internet ten years ago, as if they wrote that same joke last night. Do you have any idea how many comics I know who wrote the line, “I want to go peacefully in my sleep like my grandfather, not kicking and screaming like the passengers in his car?” People who are looking to try their hand a stand-up comedy usually try open mics first. The first problem with performing at open mics is that is you’re also performing around amateurs, some of whom have developed amateur habits, like lifting old internet jokes and passing them off as their own. They often walk on stage with notes, act nervous because they didn’t rehearse and then bl... [Read Entire Article]

Posted August 27, 2010 by Shayne Michael under Open Mics

Recent Biographies [+]

Comedian Headshot.Sheldon "Shelley" Berman was born in Chicago, Illinois on February 3rd, 1926. He is an American comedian, writer, teacher, and actor who is ranked one of the 100 greatest stand-up comics of all time by Comedy Central. He is known for his talent for adlibbing and honesty. A trained dramatic actor, Berman rose to fame in the 1950s when he became the nation’s first sit-down comic. Berman's specialty was the telephone monologue; seated on a stool and holding an imaginary receiver. This would eventually lead to six comedy albums, an idea Berman got from Mort Sahl. Berman tended to wear his neuroses on his sleeve and was known for his unpredictable temperament, which would eventually lead to the downfall of his career. In 1943, Berman was honorably discharged from the Navy. He immediately enrolled as a drama student at Chicago's Goodman Theatre, where he met Sarah Herman, another a... [Read Entire Bio]

Posted 09/06/10 by Shayne Michael under comic actor

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